Thursday, November 27, 2014

Quest for Genius

This has been a jam-packed week, but I will take a few minutes to continue my "arts week" theme. One of the really valuable aspects of going to art galleries for specific visits is that other shows in the same venue are often just as thought-provoking. This was the case when we spent time at the AGO for the Alex Colville retrospective last Saturday. We also booked tickets for the Michelangelo: Quest for Genius exhibit, which in turn included sculptures by a great admirer of Michelangelo, Auguste Rodin. This exhibit was wonderful, and included a couple of dozen Michelangelo drawings, more than four hundred years old, along with up-to-the-minute animations which help to understand his world and his creative process. A number of the drawings were studies for what is arguably the most ambitious and brilliant artistic project of all time, the depiction of the story of Genesis on the ceiling of the Vatican's Sistine Chapel.



A couple of things struck me as we made our way through the rooms. One was the frustration and disappointment and even rejection both Michelangelo and Rodin experienced. They may have been geniuses, but that didn't mean they were always celebrated, and at times the practicalities of cost meant that their grand visions didn't come to fruition.

They were also immersed in cultures of religious symbolism and both of them were people of faith, in their own ways. For Michelangelo the church was a principle sponsor of his work, so he painted and sculpted many biblical themes. He was also the architect for a number of church structures.  Rodin's culture was different and France in the 19th century was moving into post-Revolution secularism, but religion still had a considerable influence. I hadn't realized that his Thinker, surely one of the most recognized sculptures of all time, was a central figure in his Gates of Hell project, which wasn't cast during his lifetime.


Both men were celebrated while they were alive, but they often carried on with their passion and creativity despite the reservations of those who paid the bills.

Any comments about any of this?

3 comments:

roger said...

We have been fortunate enough to go to Paris the last three years, and one of our must-see attractions each time is the Rodin Museum. I was constantly asking myself how one person could complete so many amazing sculptures in one lifetime. Simply amazing.

David Mundy said...

Paris is glorious for so many reasons, but the AGO exhibit ain't bad -- and a cheaper trip. Thanks Roger.

Unknown said...

I am often awed by the talent in individuals who produce beautiful art - sculptors particularly intrigue me - it is a mystery to me how a person can take a chunk of marble or wood and "see" a figure within, then carve it out with detail, and effect a beautiful result ... given the same, I would have a pile of wood chips or marble dust at my feet in the end !Many artists are not appreciated for the gifts they possess, and certainly are not paid appropriately for their work .. perhaps because the non - artistic public does not appreciate their hours, passion and talent, or perhaps because the rest of us have other priorities for our money...