As Jesus was walking along, he saw a man called Matthew sitting at the tax-collection station, and he said to him, “Follow me.” And he got up and followed him. And as he sat at dinner[a] in the house, many tax collectors and sinners came and were sitting[b] with Jesus and his disciples. When the Pharisees saw this, they said to his disciples, “Why does your teacher eat with tax collectors and sinners?” But when he heard this, he said, “Those who are well have no need of a physician, but those who are sick. Go and learn what this means, ‘I desire mercy, not sacrifice.’ For I have not come to call the righteous but sinners.”
Matthew 9: 9-13 NRSVue
Those of you who have read this blog for a while will know that I'm a fan of the Renaissance painter, Caravaggio. His images are remarkable contrasts of light and dark and there are raw and psychological qualities to them that go beyond the devotional conventions of the time. Caravaggio was a troubled guy, given to excess and violence. He was a fugitive from justice several times and died young.
I was pleasantly surprised to read that the favourite painting of Pope Francis was the Calling of St. Matthew by Caravaggio. This is impressive given that the Vatican oversees the largest art collection in the world. And when the new pope is elected in a couple of weeks it will be in Michelangelo's Sistine Chapel.
There is a New York Times article, Piercing the Shadows of the Pope’s Favorite Painting by Jason Farago, that explores Francis' fascination with Caravaggio and the Calling of St. Matthew in particular. Here are a few excerpted paragraphs:
And Francis, the first Jesuit pope, spoke often about art, music, literature and cinema — both as instruments of evangelization and guardians of human dignity. Art, for him, was a “vital reality,” one he contrasted with the “throwaway culture” of the global market.
During his trips to Rome when he was still the archbishop of Buenos Aires, Francis favored lodgings right near San Luigi dei Francesi. “Every time I came to Rome,” he later said during an address at St. Peter’s, he would seek out one painting in particular. It was the “Calling of St. Matthew,” in the church’s Contarelli Chapel.
“It is the gesture of Matthew that strikes me,” Francis said shortly after his elevation to the papacy. The instinctive lunge for the coins was one he saw in himself. “He holds on to his money as if to say, ‘No, not me! No, this money is mine.’”
You are comfortable, you’re not looking for it, but the calling comes just the same. “Here, this is me, a sinner on whom the Lord has turned his gaze,” the pope continued. “And this is what I said when they asked me if I would accept my election as pontiff.”
As someone who loves the arts, got an undergraduate degree in art history, and experienced a compelling call to ministry this resonates with me. The more I learn about Francis the more I admire him. I hope and pray his successor is as diverse in his interests and exhibits his compassion.